Alan Armstrong. Photo: Marek Frankowski.
Shiryaevo Show and Tell.
Shiryaevo Show and Tell.
Nelya Korzhova and Andrey Senatorov.
Nelya Korzhova gets interviewed.
Eight-ball. Kid. Plastic Snake.
The audience has just arrived with two packed boats to experience the Nomadic Show.
The audience on their way.
Introduction at the entrance.
The entrance.
The entrance.
The entrance.
Audience Aug 28th.
Audience Aug 28th.
Audience reading “Where is Ronak?” 2016, Ronak Moshtaghi, including a letter about absent family members translated into Russian by Andrey Senatorov. Above: “The Factory” 2007, Joakim Forsgren.
Audience Aug 28th.
Audience Aug 28th reading letters from “Experiment with dreams”.
Audience Aug 28th.
Audience Aug 28th.
Waiting to interview Sundbyberg’s Most Famous Darth Vader Impersonator
“Sundbyberg’s Most Famous Darth Vader Impersonator”
“Sundbyberg’s Most Famous Darth Vader Impersonator”
Audience looking at “23 Children Books on Economy”, 2014, Felix Gmelin, a research including the infamous book “Kamrat Jesus”, (Comrade Jesus), written by Sven Wernström 1971.
House owner Vladimir showing the russian translation of five letters from Experiment with dreams.
Audience watching “Redskapsgymnastik/Obstacle” 2013, Ingela Ihrman.
Vladimir shows Ingela Ihrmans video “Redskapsgymnastik” / “Obstacle” 2013.
Audience looking at André Talborns “Energizer” 2016.
“I use the bank and the bank uses me” 2016, Kjersti Austdal.
“Surplus Value, or Ceka Charlama Sarajevo Shake for Shiryaevo” 2016, Felix Gmelin.
“Surplus Value, or Ceka Charlama Sarajevo Shake for Shiryaevo” 2016, Felix Gmelin.
“Stilleben med lem och fluga” Zoltan von Boer and Installation by Yusuf Hadžifejzović.
“Stilleben med lem och fluga” 1969/2016 Zoltan von Boer.
“Posted Emptiness” 2016, Jusuf Hadžifejzović.
“Posted Emptiness” 2016, Jusuf Hadžifejzović.
“Posted Emptiness” 2016, Jusuf Hadžifejzović.
“Posted Emptiness” 2016, Jusuf Hadžifejzović.
“Posted Emptiness” 2016, Jusuf Hadžifejzović.
Isabelle Hjortfors.
“I Need Money” 2016, Isabelle Hjortfors. Text written a thousand times in the sand.
“2007-2016” André Talborn.Photo: Marek Frankowski.
“A rocket a day” 2015. Olav Westphalen. Photo: Marek Frankowski.
“A rocket a day” 2015. Olav Westphalen.
“A rocket a day” 2015. Olav Westphalen.
“A rocket a day” 2015. Olav Westphalen.
“A rocket a day” 2015. Olav Westphalen.
“A rocket a day” 2015. Olav Westphalen.
“Snabbköpskassörskan / Mali chugul bil soug”, proposal to sing a song, 2016, Helle Siljeholm.
“Tool” 2015/2016, Kjersti Austdal. Photo: Marek Frankowski.
Anonymous Artist. Photo: Marek Frankowski.
“That Which Is Seen and That Which Is Unseen” 2012. Jan Peter Hammer. A performance in which a hired security guard sits idly by a lump of cash, during the opening hours of the exhibition for the whole length of the show. The guard’s task is to survey the money, yet the sum he is guarding is his own wage, which he will collect at the end of the assignment.
“That Which Is Seen and That Which Is Unseen” 2012. Jan Peter Hammer. A performance in which a hired security guard sits idly by a lump of cash, during the opening hours of the exhibition for the whole length of the show. The guard’s task is to survey the money, yet the sum he is guarding is his own wage, which he will collect at the end of the assignment.
Work by Jan Peter Hammer.
“Backbones” 2016, André Talborn.
The Porch.
“Лоси демонстрирует” 2016. Joakim Forsgren. Swedish children’s song Älgarna demonstrerar, released in 1974 by James & Karin, translated to Russian using Google translate.
“Package” 1981/2016. Beth Laurin.
“Package” 1981/2016. Beth Laurin.
“Sarajevo, meine Stadt” 1967/2016, Jan Håfström.
“Eternal Love” 1999, Vassil Simitchiev.
“Photocopied drawings from the Nowegian tax agency” 2016, Amanda Hårsmar.
“Photocopied drawings from the Nowegian tax agency” 2016, Amanda Hårsmar.
“re-tele-sculpture” 1960 / 2016, Alan Armstrong.
“Monument” 2016, André Talborn.
“Monument” 2016, André Talborn.
Interior.
Interior. Photo: Marek Frankowski.
Left: “Experiment with Dreams” 1995, Leif Elggren & Thomas Liljenberg. Right:”Ballograf desk set pen with a 6 meter chain” 2012 Kanslibyrån
“Experiment with Dreams” 1995. Leif Elggren & Thomas Liljenberg. “Virulent Sound” 2003, Leif Elggren.
“Thunder and oblivion” 2010, Tova Mozard.
“Thunder and oblivion” 2010, Tova Mozard.
Interior.
Interior.
Interior. Photo: Marek Frankowski.
“Desperate times call for desperate measures” 2015 – 2016, Ksenia Aksenova.
Interior.
“Så här tjänar jag pengar. Hur gör du?”, (This is how I make money. How do you?), 1997/2016, Marie-Louise Ekman.
“Dr Jasper von Hoffs Sobriety Machine, 1773” 2016 Ulf Olsson. Photo: Marek Frankowski
“Anti Pigeon Hat” 2009, Joakim Forsgren. “Sweater with Ostrich” 2014, Alberto Frigo.
“Trap no 2” 2016, Anonymous Artist.
“Looking out” 2016. Henrik Ekesiöö. Photo: Marek Frankowski.
Carry on baggage.
Interior.
“Pizza with Sausage” 2016, Roger von Reybekiel.
“Pizza with Sausage” 2016, Roger von Reybekiel.
Interior.
“Fångst (Konflikt)” / “Catch (Conflict)” 1976, Franco Leidi. Behind the closed door: “EVP-recording (Electronic Voice Phenomenon) of Leo Tolstoy” 2012, Marja-leena Sillanpää
“E.T No.1” 2016 An E.T model from the artist’s personal collection carved in Palestine from olive wood trimmings. Lars Laumann. Courtesy VI,VII, Oslo
Interior.
Interior with E.T. and the Swedish King
Interior with painting by Åsa M. Waldau
“The New Abstract” 2014. Joakim Forsgren & Mikael Goralski. Photographs of the floor in Solna shoppingmall, which is designed to not be looked at.
“The New Abstract” 2014.
Serious Collision Investigation Unit Coalition. Haus zwei. Shiryaevo Biennale 2016.
“Face Down Frog in Vodka Bottle” 2016, Mikael Goralski.
“Bankrobber” 1999-2016, Mikael Goralski
“Bankrobber” Mikael Goralski. Photo: Marek Frankowski.
Interior.
“Tin Can Tatlin Tower” 2015/2016, Jan Mosumanski.
“A Completely Red Rubik’s Cube” 2016, Anonymous Artist
“Fake Rammstein signed 5000 Ruble note”
“A HAZARD HARD ART DR ELEVEN 2”, 2001-2016, Mikael Goralski
Interior. Photo: Marek Frankowski.
“End Transformed to Existence” 2014, Cora Hillebrand. M4 cartridges where the gunpowder is replaced by sperm donated by American soldiers.
“End Transformed to Existence” 2014, Cora Hillebrand
Electrical Tennis Racket.
Vladimir. Photo: Marek Frankowski.
On the way from Shiryaevo.
Ending Symposium at National Centre for Contemporary Art, Samara.
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